ABDEL GHANI, H.:« A Multi-instrument Investigation of Pigments, Binders and Varnishes from EgyptianPaintings (AD 1300-1900): Molecular and Elemental Analysis Using Raman, GC-MS and SEM-EDXTechniques», PhD Thesis, chapter 12, University of Bradford, 2009.
ACETO,M., AGOSTINO, A., FENOGLIO, G. & MARCELLO, P.: « Non-invasive Differentiation between Natural andSynthetic Ultramarine Blue Pigments by means of 250–900 nm FORS Analysis», Analytical Methods 5/16, 2013, 4184-4189, DOI: 10.1039/c3ay40583d
ALI, M. & YOUSSEF, M .:« An Analytical Study of a Mural with Colorful Geometric Decoration, Coptic museum, Cairo, Egypt: a case study», Scientific Culture 6/3, 2020, 37-52.
ANBALAGAN, G. et al: « Infrared, Optical Absorption, and EPR Spectroscopic Studies on Natural Gypsum», Vibrational Spectroscopy 50/2, 2009, 226-230.
ANGLOS, D.: «Laser-Induced Break- down Spectroscopy in Art and Archaeology», Applied Spectroscopy 55/6, 2001, 186-205.
AZE, S. VALLET, M. DETALLS, V. GRAUBY, O & BARONNETA.: « Chromatic Alterations of Red Lead Pigments in Artworks: A Review», Phase Transitions 81/2-3, 145-154, 2008, DOI: 10.1080/01411590701514326
BALIGH.R & SHALABY.M.: « A Comparison between Coptic Icons in Christian Churches and the Icons of the Monastery of St. Catherine in Sinai », Bulletin of the Center Papyrological Studies 31/1, 2014, 1-27, DOI: 10.21608/bcps.2014.24309
BERG, K. J. et Al.:« Darkening and Surface Degradation in 19th- and early 20th Century Paintings–an Analytical Study», In book: ICOM Committee for Conservation 13th Triennial Meeting, 2002, 22-28.
BERNARD, K.: «X-Ray Diffraction and the Composition of Lead White», Studies in the History of Art 4, 1971- 1972, 121–133. https://www.jstor.org/stable/42617728
BRANIA, A.: «Characterization of the Mamluk Painting Materials in Cairo, Egypt: El-Ashraf Bersbay Madrasa (826 A.H/ 1423 A.D)A case study», Maǧallaẗ Al-Itiḥād Al-ʿām Lil Aṯārīyin Al-ʿarab 11, 2010, 1-39, DOI: 10.21608/jguaa.2000.2747
BUDU,A.: « The Deterioration and Degradation of Icons with Revetments. Case Studies », Conference: Sustainable Preservation of Cultural Heritage Collections, Romania, 2018, 1-9.
CLARK, R.:«Pigment Identification by Spectroscopic Means: an Arts/science interface», Comptes Rendus Chimie 5/1, 2002, 7–20, https://doi.org/10.1016/S1631-0748(02)01341-3
CHITALE. A.:« Production & Characterization of Brown Coloured Pigment from Trichoderma Viride», Electronic Journal of Environmental, Agricultural and Food Chemistry 11/5, 2012, 529-537.
DERRICK, M. R., STULIK, D., LANDRY, J. M.: Infrared Spectroscopy in Conservation Science, Los Angeles (The Getty Conservation Institute) 1999.
ELSAYED.Y.: « Conservation of a Historic Panel Oil-painting Coated with an Ancient Varnish Layer », Shedet 6, 2019, 238-256, DOI: 10.21608/shedet.006.14
ELSEROGY,A. MAHMOUD, G. & ALAWNEH, F.:«The Conservation of the Byzantine Icon from Georgios Church, Jordan », Annales d'Universite 'Valahia' Targoviste, Section d'Archeologie et d'Histoire, vol. Tome XX, 2018, 53-69.
FRISON, G., & BRUN ,G.:« Lapis Lazuli, Lazurite, Ultramarine ‘Blue’, and the Colour Term ‘Azure’ up to the 13th Century », Journal of the International Color Association 16, 2016, 41-55.
GHANI, M.:« Dating a Coptic Icon of Anonymous Painter by Spectroscopic Study of Pigment Palette», Mediterranean Archaeology and Archaeometry 15/1, 2015, 1-16, DOI: 10.5281/zenodo.15002.
GLIOZZO, E., IONESCU, C.: « Pigments—Lead-based Whites, Reds, Yellows and Oranges and their Alteration Phases», Archaeological and Anthropological Sciences 14, 2022, 14-35.
GONZALEZ, V., CALLIGARO, T., WALLEZ, G., EVENO, M. & TOUSSAINT, K.: «Composition and Microstructure of the Lead White Pigment in Masters Paintings using HR Synchrotron XRD», Microchemical Journal 125, 2016, 43-49.
GRANT, R.: Lead Production, in Encyclopedia of Materials: Science and Technology, 2001, 4439-4442.
HAMED, S., Ali, M., El Hadidi, N.:« Using SEM in Monitoring Changes in Archaeological Wood: A review», Current Microscopy Contributions to Advances in Science and Technology: A. MÉNDEZ-VILAS (ed.), 2012, 1077-1085.
Neven Fahim, Shaaban Abdelaal & Emil Henin DOI: 10.21608/JGUAA2.2022.141988.1107 221 JGUAA2 vol.8/1, 2023, 207-222
HELMI, F. M. & ATTIA, M. A.: «Non–Destructive Study of an Oil Painting from 19th Century Egypt »,vol.1, In: 3 rd international conference on non–destructive Testing, Micro Analytical Methods and Environment Evaluation for Study and Conservation of Works of Art, Instituto Centrale del Restauro, Roma, 1992, 738.
HELWIG, K.: Iron Oxide Pigments, BERRIE, B. H. (ed.), Artists’ Pigments, A Handbook of Their History and Characteristics, vol. 4, Washington (National Gallery of Art) 2007.
HENIN. E, ABDELAAL. S, FAHIM. N, & ELMALEK.W.: «Conservation and Preservation of Jesus Christ Icon Dating Back to 19th Century at Saint Mercurius Monastery at Tamouh, Giza, Egypt», International Journal of Advance studies in World archaeology 5/1, 2022, 128–143, DOI: 10.21608/ijaswa.2022.230400
HRADIL.D, GRYGAR.T, HRADILOVA.J. & BEZDICKA.P.: «Clay and Iron Oxide Pigments in the History of Painting», Applied Clay Science 22/5, 2003, 223–236, https://doi.org/10.1016/S0169-1317(03)00076-0.
ISSA, Y.M. ABDEL-MAKSOUD, G. & MAGDY. M.:« Analytical Study of Saint Gregory Nazianzen Icon, Old Cairo, Egypt», Journal of Molecular Structure 1100, 2015, 70-79, https://doi.org/10.1016/j.molstruc.2015.07.004
KARYDIS, C.: «The Fabric Support in Portable Icons Deterioration, Documentation & Conservation», International Meeting, Athens 12 ,2006, 1-24.
KENDIX, ELSEBETH L., SILVIA PRATI, EDITH JOSEPH, GIORGIA SCIUTTO & ROCCO MAZZEO: « ATR and Transmission Analysis of Pigments by Means of Far Infrared Spectroscopy» Analytical and Bioanalytical Chemistry 394/4, 2009, 1023-1032.
KHASAWNEH, S. ELSEROGY, A.:« Conservation and Restoration of Church Icon from Baptism Museum, Jordan, Case Study» Mediterranean Archaeology and Archaeometry 19/1, 2019, 85-91.
KUMAR, U. SHARON, M. JAWALEKAR, S.: « Characterization of Pb3O4 Films by Electrochemical Techniques», Bulletin of Materials Science 8/3, 1986, 415–418.
LOTUT, Z.:« Blue in Eighteenth-Century England: Pigments and Usages», La Couleur 75, 2018,1-18,
https://doi.org/10.4000/1718.1214
LUSSIER, S.& SMITH, D.: «A Review of the Phenomenon of Lead White Darkening and its Conversion Treatment», Studies in Conservation 52, 2007, 41-53.
MAHMOUD, H.: «Analytical Study of Coptic Wall Paintings in Egypt, El-Bagawat Necropolis, Kharga Oasis: A Case Study» Periodico di Mineralogia 82/1, 2013, 25-40, DOI: 10.2451/2013PM0002.
MAHMOUD. M.: «Using Examination and Analysis Methods to Determine the aspects of Deterioration for Oil Painting (A Case Study) », International Journal of Multidisciplinary Studies in Architecture and Cultural
Heritage 1/1, 2018, 197 – 221.
MAKSOUD. G, IBRAHIM.M, ISSA.Y & MAGDY, M.: «Investigation of Painting Technique of Coptic Icon by Integrated Analytical Methods: Imaging, Spectroscopic and Chemometric Methods», Journal of Archaeological Science: Reports 29, 2020, 102085, https://doi.org/10.1016/j.jasrep.2019.102085
Malaty.T.: the Coptic Iconography, Introduction to the Coptic Orthodox Church, 1998, 10, 1-10, https://ukmidcopts.org/kotob/Fr%20Tadros%20Malaty/12-3_Coptic_Iconography.pdf
Accessed on 30/06/2022
MEDHAT, A. ALI, M & ABDEL-GHANI, M.: «Analytical Investigation on a Coptic Wooden Icon from the 18 Century Using SEM–EDX Microscopy and FTIR Spectroscopy», Mediterranean Archaeology and
Archaeometry 15/1, 2015,151-161, DOI: 10.5281/zenodo.15048.
MORGAN .S.: «Shaker’s Typological Classification of Coptic Orthodox Church Design An Application on Historic Coptic Churches of Old Cairo and Fustat», Engineering Research Journal 151, 2016, A14-A36.
MORKOS. M.: «Factors and Signs of the Damage of Coptic Icons and Suggestion for Treatment: Application on a Chosen Model», 1
St International Conference of Coptic Studies at Bibliotheca Alexandrina,
Entitled: Life in Egypt during the Coptic period Towns and Villages, Laymen and Clergy, Bishops and Dioceses, 2010.
PAVLIDOU, E. ARAPI, M. et Al.: «Onoufrios, the Famous XVI’s Century Iconographer, Creator of the «Berati School»: Studying the Technique and Materials used in Wall Paintings of inscribed Churches», Applied Physics A 83/4, 2006, 709-717.
PRIESS. M, CHAILLOT. C.: «The Role of Images and the Veneration of Icons in the Oriental Orthodox Churches: Syrian Orthodox, Armenian, Coptic and Ethiopian Traditions, Aethiopica», International Journal of Ethiopian and Eritrean Studies 22, 2019, 280–281.
PUICĂ,I. : «Biblical Elements in Coptic Icon», European Journal of Science and Theology 2/2, 2004, 37-50.
PHYSIOCHEMICAL CHARACTERIZATION OF COPTIC JESUS CHRIST ICON [CHURCH OF SAINT MERCURIUS, EGYPT] DOI: 10.21608/JGUAA2.2022.141988.1107 222 JGUAA2 vol.8/1, 2023, 207-222.
REFAAT.A , ATTA.D , OSMAN.O , MAHMOUD.A, EL-KOHADARY.S , MALEK.W, FERRETTI.M , ELHAES.M & IBRAHIM.M.: «Analytical and Computational Study of Three Coptic Icons in Saint Mercurius Monastery, Egypt», Bio interface Research in Applied Chemistry 9/6, 2019, 4685 - 4698
SALLAM, A. ZHAO, Y. HASSAN, M. TOPRAK, M. MUHAMMED, M. & UHEID A ,A.: «Studies on the Deterioration of Coptic Mural Painting in the Monastery of Martyrs and the Luxor Temple», International Journal of Conservation Science 7/2 ,2016, 493-500.
ŞERIFAKIA, K. BÖKEA, H. YALÇINB, S. & IPEKOĞLU, B.: «Characterization of Materials Used in the Execution of Historic Oil Paintings by XRD, SEM-EDS, TGA and LIBS Analysis», Materials Characterization 60/4, 2009,303.
SKALOVA, Z. & GABRA, G.: Icons of the Nile Valley, Giza ( Egypt. Internat. Publ) 2003.
VAHUR, S. et Al.:« ATR-FTIR Spectral Collection of Conservation Materials in the Extended Region of 4000-80 cm -1», Bio Analysis Chemistry Journal 408, 2016, 3373-3379.
WALTON, M. & TRENTELMAN, K.: «Romano-Egyptian Red Lead Pigment: A Subsidiary Commodity of Spanish Silver Mining and Refinement », Archaeometry 51/5, 2008, 845–860.
YOUSRY, M ., ABDEL-MAKSOUD.G.& MAGDY, M.: «Study of the Effect of Environmental Conditions on the Red Color of Saint Yehnes Cama Icon, Mallawi, Egypt», International Hournal of Research in Pharmacyand Chemistry, IJRPC, 5/3, 2015, 491-497.